The logo, on everything it has to survive.

Eleven lockups across two families, three colourways, every background they will actually land on — and the technical problems that had to be fixed before any of it could be sent out.

01 — The set

Eleven lockups,
two families.

Seven of them are built on a symbol — a ribbon, a loop or a bolt — each drawn horizontal and stacked. The other four are a wordmark family with no symbol at all: "remote" set solid, "doers" in script. Pick one family and stay with it; the value of a mark is entirely in repetition.

The wordmark has a third colourway. Alongside solid ink and solid white it ships two-tone — "remote" in ink, "doers" in Primary blue. It is the most distinctive version of the mark and the one to reach for on white. It only works on white: the ink half disappears on anything dark, so use the solid white file there.

02 — Backgrounds

Where it works,
and where it doesn't.

Pick a lockup and watch it move across every ground in the palette. The white colourway is chosen automatically on dark grounds and the ink one on light — which is the whole reason both exist.

Recolour Open in the studio →
03 — In context

What it looks like
once it is doing its job.

The same lockup and colour you picked above, dropped into the places it will actually appear. A logo that reads beautifully on a swatch can still fail at 22px in a nav bar — this is where you find that out.

One gap worth naming. There is no icon-only mark in the set — every lockup carries the wordmark. At favicon and avatar sizes the stacked version is used and the words below the symbol stop being readable. If Remote Doers wants a clean 16px presence, the symbol alone should be drawn as an eighth file.

04 — Clear space & minimum size

Give it room.

Keep clear space of at least the height of the mark on every side. Nothing — type, edges, other logos — comes inside that box.

Minimum clear space Clear space diagram

Minimum sizes

300px — comfortable
180px — minimum with tagline
120px — drop the tagline

Below about 180px wide the tagline stops being legible. That is the point to switch to the lockup without it, not to shrink it further.

05 — Misuse

All of these are real,
and all of them happen.

06 — What had to be fixed

The wordmarks were
live text, not artwork.

Every supplied SVG set "REMOTE DOERS" as an actual <text> element calling Century Gothic, Organetto and Metara. Those fonts are installed on the machine that made them, so the files look perfect there — and substitute to Times or Arial on every machine that does not have them. A logo cannot depend on the viewer owning the font.

The wordmark family arrived with the same fault in its tagline, and one more besides: in the two-tone files the word "remote" carried no fill at all, so it fell back to default black — not the brand ink, and invisible on any dark ground. Every colour in the delivered set is now stated explicitly.

As intended

What you see, because the fonts are on your machine.

REMOTE DOERS
What a client sees

The same file with the font missing — wrong face, wrong width, wrong spacing.

Fixed — outlined

Every glyph converted to a path. Identical everywhere, no font needed.

Two things to check on your side

One of the fonts is FONTSPRING DEMO — Organetto. Demo builds are normally trial-only and not licensed for commercial release — worth confirming before this mark ships. And the outlined files here were generated from the fonts installed on this machine; if the originals were ever set in a different weight, re-export rather than trusting the conversion.

07 — Files

Outlined and ready.

Every colourway of every lockup — ink and white throughout, plus the two-tone version of each wordmark. Each file is self-contained: open it anywhere and it renders the same.